Documentary
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
MOVIE COMMENTS
SIMILAR MOVIES
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SIMILAR MOVIES
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IMDB 7 | Feb , 2020
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IMDB 10 | Apr , 2024
A look at the world of squirrels in the forests of AlabamaBernardo Bertolucci's Chinese Adventure
IMDB 0 | Dec , 1986
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IMDB 0 | Jan , 2000
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IMDB 8.5 | May , 2008
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IMDB 7.2 | Nov , 2016
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IMDB 0 | Nov , 2006
Documentary about the 1971 Canadian film by Claude Jutra.Vincenz Priessnitz
IMDB 0 | Oct , 1999
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IMDB 6.3 | Jul , 2008
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IMDB 4 | Apr , 2021
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IMDB 7 | Oct , 2022
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IMDB 4.7 | Oct , 2022
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IMDB 7 | May , 2006
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IMDB 6.7 | Jan , 2012
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IMDB 7.5 | Sep , 2016
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IMDB 0 | May , 2014
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IMDB 10 | Sep , 2007
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IMDB 0 | Jan , 1999
The order comes in the summer of 1941 from propaganda minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney-Quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is re-traced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards. – that is the plan. Only in 1943, the first production is completed: “Armer Hansi” a 17-minute-long colour movie, realized with the effortful Multiplane-technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, life-action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the third Reich.Nobody Wants Your Film
IMDB 1.5 | May , 2005
Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.What the #$*! Do We (K)now!?
IMDB 5.1 | Apr , 2004
Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.