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Documentary
Smoke Traders is an inside look at the world of the Mohawk tobacco trade.
Casts
IMDB 10 | Jan , 1959
IMDB 0 | Sep , 2018
IMDB 8 | Feb , 2024
IMDB 0 | Jul , 2019
IMDB 0 | Apr , 2025
IMDB 5.7 | Sep , 2017
IMDB 0 | Jan , 1980
IMDB 0 | Jan , 1991
IMDB 0 | Jan , 1973
IMDB 0 | Jan , 1944
IMDB 0 | Jan , 2020
IMDB 7 | Jan , 2020
IMDB 0 | Sep , 2014
IMDB 6.8 | Sep , 2006
IMDB 0 | Apr , 2017
IMDB 8 | Jan , 1971
IMDB 0 | May , 1992
IMDB 0 | May , 2018
IMDB 9 | Jun , 2018
IMDB 0 | Jul , 2022
MOVIE COMMENTS
SIMILAR MOVIES
The Back-breaking Leaf
Indian Rights for Indian Women
Our Maternal Home
The Crying Fields
Red Girl Rising
Our People Will Be Healed
Nose and Tina
Women in the Shadows
Kainai
Totems
My Pride
Nin E Tepueian: My Cry
Trick or Treaty?
American Hardcore
Karihwanoron: Precious Things
Christmas at Moose Factory
Kecia: Words to Live By
White Ravens: A Legacy of Resistance
Those Who Come, Will Hear
We Were Just Little Boys
SIMILAR MOVIES
The Back-breaking Leaf
IMDB 10 | Jan , 1959
Here is a graphic picture of the tobacco harvest in southwestern Ontario. At the end of July, transient field workers move in for a brief bonanza when the plant is ripe. The tobacco harvesters call it "the back-breaking leaf."Indian Rights for Indian Women
IMDB 0 | Sep , 2018
Three intrepid women battle for Indigenous women's treaty rights.Our Maternal Home
IMDB 8 | Feb , 2024
Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.The Crying Fields
IMDB 0 | Jul , 2019
A deep dive into the history of the Canadian Government and the Department of National Defence leasing First Nations reserves as practice bombing ranges during World War I and World War II. This documentary follows the Enoch Cree Nation's process of developing it's land claim against the Canadian Government following the discovery of active landmines in the heart of the nation's cultural lands and golf course in 2014, almost 70 years later.Red Girl Rising
IMDB 0 | Apr , 2025
Joyce Jonathan Crone—Mohawk matriarch, retired teacher, activist, humanitarian—reaches forward into her community of Huntsville, Ontario, opening hearts and bridging gaps for Indigenous education.Our People Will Be Healed
IMDB 5.7 | Sep , 2017
Legendary documentary filmmaker Alanis Obomsawin provides a glimpse of what action-driven decolonization looks like in Norway House, one of Manitoba's largest First Nation communities.Nose and Tina
IMDB 0 | Jan , 1980
Nose and Tina are a couple in love. The film captures the domestic details of their life together and documents their hassles with work, money and the law. The unusual bit: He is employed as a brakeman, and she as a sex worker.Women in the Shadows
IMDB 0 | Jan , 1991
Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.Kainai
IMDB 0 | Jan , 1973
On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.Totems
IMDB 0 | Jan , 1944
For Indigenous peoples the totem pole is the symbol of life, portraying the relationship between humans and animals. Fitting into the landscape of British Columbia, these monuments, witnesses to an ancient and powerful culture, look down at us. The group "Indians of British Columbia" singing group provide a powerful soundtrack as Haida and Tsimshian people talk about poles in their communities.My Pride
IMDB 0 | Jan , 2020
Spontaneous portrait of an endearing and cheerful teenager living in balance between traditionalism and modernity. She presents her regalia to us and we share her pride in being Innu.Nin E Tepueian: My Cry
IMDB 7 | Jan , 2020
NIN E TEPUEIAN - MY CRY is a documentary tracks the journey of Innu poet, actress and activist, Natasha Kanapé Fontaine, at a pivotal time in her career as a committed artist. Santiago Bertolino's camera follows a young Innu poet over the course of a year. A voice rises, inspiration builds; another star finds its place amongst the constellation of contemporary Indigenous literature. A voice of prominent magnitude illuminates the road towards healing and renewal: Natasha Kanapé Fontaine.Trick or Treaty?
IMDB 0 | Sep , 2014
Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.American Hardcore
IMDB 6.8 | Sep , 2006
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.Karihwanoron: Precious Things
IMDB 0 | Apr , 2017
Yagorihwanirats, a Mohawk child from Kahnawake Mohawk Territory in Quebec, attends a unique and special school: Karihwanoron. It is a Mohawk immersion program that teaches Mohawk language, culture and philosophy. Yagorihwanirats is so excited to go to school that she never wants to miss a day – even if she is sick.Christmas at Moose Factory
IMDB 8 | Jan , 1971
A study of life at Christmastime in Moose Factory, an old settlement mainly composed of Cree families on the shore of James Bay, composed entirely of children's crayon drawings and narrated by children.Kecia: Words to Live By
IMDB 0 | May , 1992
The first (native) First Nations girl to come forward as HIV-positive in the early 90's. The film chronicles her travels across Canada delivering heart-felt messages and warnings to young people in aboriginal communities.White Ravens: A Legacy of Resistance
IMDB 0 | May , 2018
Filmed on the island of Haida Gwaii, this documentary depicts the ongoing resistance and resurgence of the Haida people and their culture against the different manifestations and trauma of colonization.Those Who Come, Will Hear
IMDB 9 | Jun , 2018
The documentary proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.We Were Just Little Boys
IMDB 0 | Jul , 2022
Between 1924 to 1970, Kinchela Boys Home in Kempsey, New South Wales, saw an estimated 400 to 600 Aboriginal children exposed to routine acts of cultural genocide and remains one of Australia’s most notorious institutions of the Stolen Generations. After being stolen from their families, country, and community, children were stripped of their names, given numbers, and subjected to ‘reprogramming’ and strict regimes of manual labour. We Were Just Little Boys is narrated by KBH survivors.