Documentary
This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .
MOVIE COMMENTS
SIMILAR MOVIES
CHoosing at Twenty
The Barbary Corsairs
De Gaulle, the Last King of France
Gerboise Bleue
La Bataille d'Alger, l'empreinte
Nomad Meeting, The Path Of Odette And Jean-Louis Bernezat
The Words Women Spoke One Day
Be Water
I carve smiles into mountains' wounds
The Zerda or the Songs of Forgetting
Boudjemâa et la Maison Cinéma
A Propos D'Un Crime
Sénac, Jean. Algérien, Poète
Jean Sénac, The Blacksmith of the Sun
Camus, l'icône de la révolte
Heckler
Lost Mountain
Paroles d'un Prisonnier Français de l'ALN
Interviews with Abdelkrim Baba Aïssa
Avant de franchir la ligne d'horizon
SIMILAR MOVIES
CHoosing at Twenty
IMDB 6.8 | Aug , 2017
Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.The Barbary Corsairs
IMDB 7.7 | Oct , 2015
In the 18th century, the Barbary threat became serious. In July 1785, two American boats were returned to Algiers; In the winter of 1793, eleven American ships, their crews in chains, were in the hands of the dey of Algiers. To ensure the freedom of movement of its commercial fleet, the United States was obliged to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, 107,000 dollars. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, “treaty of peace and friendship” which cost nearly a million dollars (including 525,000 in ransom for freed American slaves). , with an obligation to pay 20,000 dollars upon the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...De Gaulle, the Last King of France
IMDB 7 | Mar , 2017
Charles de Gaulle, the first president (1958-1969) of the Vth Republic, France’s current system of government, left his mark on the country . He was statesman of action and has been compared to a monarch. This film depicts the general’s personality through the great events of his presidential term, at a time when the world was undergoing considerable changes.Gerboise Bleue
IMDB 10 | Feb , 2009
"Gerboise bleue", the first French atomic test carried out on February 13, 1960 in the Algerian Sahara, is the starting point of France's nuclear power. These are powerful radioactive aerial shots carried out in areas belonging to the French army. Underground tests will follow, even after the independence of Algeria. From 1960 to 1978, 30,000 people were exposed in the Sahara. The French army was recognized recognized nine irradiations. No complaint against the army or the Atomic Energy Commission has resulted. Three requests for a commission of inquiry were rejected by the National Defense Commission. For the first time, the last survivors bear witness to their fight for the recognition of their illnesses, and revealed to themselves in what conditions the shootings took place. The director goes to the zero point of "Gerboise Bleue", forbidden access for 47 years by the Algerian authoritiesLa Bataille d'Alger, l'empreinte
IMDB 10 | Jan , 2018
Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.Nomad Meeting, The Path Of Odette And Jean-Louis Bernezat
IMDB 10 | Jan , 2006
The Algerian Sahara is the most exceptional deserts. He densifies everything he hosts, men and nature, and invites you to pay attention to the world. Jean-Louis and Odette Bernezat were born at the foot of the Alps, but it was in the Sahara that they found their way, and devoted almost forty years to the discovery of this environment and have extraordinary knowledge to share. Director Maryse Bergonzat accompanies them, in a meha, in the Hoggar in Algeria, with their Tuareg friends. A privileged place to appreciate the desert, its landscapes, its inhabitants, its laws and its stories, in the company of exceptional guides.The Words Women Spoke One Day
IMDB 9 | Mar , 2024
1962, at the end of the Algerian War, Algerian independence activists are released from Rennes prison. For one night, filmmaker Yann Le Masson films them. They tell him their vision for the future of Algeria and the place women must occupy in the new society to be built. Fifty years later, with the soundtrack missing, Raphaël Pillosio sets out to find these women. Two deaf people set about lip-reading the women filmed by Yann Le Masson, revealing snatches of sentences, words cut short by the camera's shifts. An investigative film in which the few activists still alive discover their old testimonies and tell us their silent story. The reconstruction of the lost soundtrack will remain in suspense; no happy ending will come to absorb the absence, to cancel the ferocious operation of time. An essay film about cinema that depicts their disappearance, and forever keeps them alive.Be Water
IMDB 6.7 | Jan , 2020
In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.I carve smiles into mountains' wounds
IMDB 0 | Jan , 2018
Achour is thirty. Night and day, he walks. Rebellious soul, he crisscrosses Alger and its neighborhoods, stays at friends' houses and often leaves the city to meet the nearby montain in Kabylia, his alter-ego. In this environment, marked by war and terrorism, his resistance continues, mobile and ascending. Algerian hardcore-punk musician, Achour once screamed his anger against the country's regime and sang "Anarchytecture". But the movement died down, friends went their separate ways. His Facebook wall became his notebook, his window open to the world. It represents a scream aimed towards the echo of the mountains, between virtual wall, infinite facades of large complexes and the strata of mineral cliffs. A scream comes back at us.The Zerda or the Songs of Forgetting
IMDB 7.6 | Feb , 1983
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.Boudjemâa et la Maison Cinéma
IMDB 10 | Dec , 2019
He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.A Propos D'Un Crime
IMDB 10 | Jan , 1967
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”Sénac, Jean. Algérien, Poète
IMDB 10 | Jan , 2011
Jean Sénac, born in Béni Saf in Algeria in 1926 and died in Algiers in 1973, is today considered one of the great French writers and poets and the only one of his reputation to have accompanied the Algerian revolution before November 1954. part of all the debates and got involved, very early and with immense enthusiasm, in a work of commitment which ended badly. His poetry, his sexual preferences and his political lyricism work against him: rejected as much by the Pieds Noirs as by the FLN activists then by the power in place in Algiers, Jean Sénac was assassinated in 1973 at his home in Algiers, in circumstances never clarified.Jean Sénac, The Blacksmith of the Sun
IMDB 10 | Jan , 2003
By ending the life of Jean Senac on August 30, 1973 in Algiers, his assassins believed they would silence him forever. They were wrong since his voice is a little louder every day. Witnesses to these craze: the publication of the complete works of this great poet, the countless conferences and radio broadcasts devoted to him and finally the production of films such as "Jean Sénac, the blacksmith of the sun". The moving and overwhelming testimonies of those who knew him, the unpublished film archives, the generous voice of the poet on the radio, the discovery of his travels in the territories of poetry and politics make this film a precious document on the life of Jean Senac.Camus, l'icône de la révolte
IMDB 6.8 | Jan , 2020
Albert Camus, who died 60 years ago, continues to inspire defenders of freedom and human rights activists around the world today. The Nobel Prize winner for literature is one of the most widely read French-language writers in the world. He continues to embody the rebellious man who opposes all forms of oppression and tyranny while refusing to compromise his human values.Heckler
IMDB 5.9 | Nov , 2007
HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.Lost Mountain
IMDB 10 | Jan , 2020
On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.Paroles d'un Prisonnier Français de l'ALN
IMDB 10 | Nov , 2010
The image of French prisoners was very often evoked in Algerian cinema and literature, but until today, no Algerian or even European report or documentary had given voice to one of these French prisoners of the war of Algeria. In the interest of truth and writing history, we set out in search of one of these French witnesses. This witness is René Rouby, prisoner of Amirouche's group for more than 114 days in 1958 in the Akfadou region in Kabylia. This is the first testimony from a French prisoner of the ALN (the National Liberation Army).Interviews with Abdelkrim Baba Aïssa
IMDB 10 | Feb , 2024
In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journalist Thoria Smati. They address the chronology of the rich and committed career of this self-taught Algerian actor, director, producer and screenwriter, who made his debut on Algerian television as an assistant director then at ONCIC as a director in the years 70.Avant de franchir la ligne d'horizon
IMDB 0 | Jan , 2010
Habiba Djahnine went to meet activists who continue to take action. To meet them, to capture them in the spaces where they live, work or fight. They inscribe a few words of our tormented history. Memory, memory gaps, background noise, demonstrations... The film bears witness to 20 years of political mobilization/repression in Algeria.